Farzad Milani فرزاد میلانی
Farzad Milani فرزاد میلانی
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Helmholtz, Hedayat, Pythagorean tuning, and the persian 17-tone System
In this video, I’ve briefly reviewed Helmholtz’s ideas about Persian music and the 17-tone system! and the calculation of the intervals with continuation of the Pythagorean Fifths!
Also watch:
ua-cam.com/video/_QN_DG-OJ_4/v-deo.htmlsi=n6zGn5Ry0HGxkfCV
ua-cam.com/video/PIlHb5GgjMI/v-deo.htmlsi=NccFn39O7NxY-BVd
00:00 Introduction
00:38 Helmholtz and Hedayat
03:06 Helmhotz's description of the Persian musical system
04:40 Musical ratios and Pythagorean Fifth
05:35 Obtaining the 17 tones with Pythagorean Fifths (as Abdol-qadir Maraghi suggests)
08:10 The sounding of Persian tetrachord genera with Pythagorean tuning
08:59 Rejection of the Pythagorean-oriented intervals by the practitioners
-------------------------------
Resource:
Daemi Milani, Farzad. "Persian-Arabic Seventeen-Tone Temperament: A Microtonal Extension to the Heptatonic Scale" Master's thesis, McGill University, 2023.
--------------------------------
Songs used in this video:
"In memory of Saba" by Hossein Dehlavi
"Sabok-Bal" by Hossein Dehlavi
"Nook of Existence" by Anahita Ramezani
---------------------------------
My email
farzad.milani@gmail.com
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#persianmusic #persian_music #persian_dastgah #maqam #maqamat #traditionalmusic #arabicmusic #arabicmusictheory #turkishmusic
#jins #genus #genera #ajinas #ancientgreek #greekmusic #musictheory #türk_müziği #iraqimusic #middleeasternmusic #physics #acoustics #helmholtz #hedayat #pythagoras #pythagorean
#تئوری_موسیقی #موسیقی_ایران #موسیقی_ایرانی #موسیقی_نواحی #موسیقی_ملی #موسیقی_مقامی #موسیقی_دستگاهی# الموسیقی_العربی #موسیقی_عراقی #موسیقی_ترکی #موسیقی_خاورمیانه #هدایت #هلمهولتز #هلمهولص #فیزیک #فیثاغورس #فیثاغورث
Переглядів: 438

Відео

Monsieur Lemaire & the Persian 17-tone system (mode: Māhour)
Переглядів 2,2 тис.Місяць тому
In this video, I briefly review an example of a melody in one of the modal categories in Persian dastgah system, called dastgah-e Māhour. Don't miss the other videos of this series: ua-cam.com/video/_QN_DG-OJ_4/v-deo.htmlsi=9TeUWjPE7KHDR1ZG ua-cam.com/video/OjAEDnm6XD4/v-deo.htmlsi=Z3SFDSmC55r8mrNo 00:00 Monsieur Lemaire and the 17 tones 01:26 introduction 01:40 your suggested adjectives for th...
Persian 17-tone system, a more chromatic music
Переглядів 72 тис.2 місяці тому
The Persian 17-tone system is an extension of the heptatonic scale with three possible variations of the tone in each scale degree. In this video, according to the findings of my master's thesis at McGill, using distinct colors, I briefly explain how this system works! Also see: ua-cam.com/video/PIlHb5GgjMI/v-deo.htmlsi=NsXQ1KmefTZst5wn ua-cam.com/video/OjAEDnm6XD4/v-deo.htmlsi=Z3SFDSmC55r8mrNo...
"Bella Ciao" (Live)
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Jingeele Bells (Persian Style) / جینگیل بلز
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Jingeele Bells (Persian Style) / جینگیل بلز
Matarsak (piano version) / مترسک (نسخه پیانویی)
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A harmonization practice
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Hardasan? (Where are you?)
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Hardasan? (Where are you?)
Bella Ciao بِلّا چاو )بدرود ای زیبا)
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Hybrid Abjadic-Metric notation by Mehdi-Qoli Hedayat
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Hybrid Abjadic-Metric notation by Mehdi-Qoli Hedayat
Microtonal Quartertone Accordion Introduction
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Microtonal Quartertone Accordion Introduction
An improvisation for the last day of the year 2021
Переглядів 1 тис.2 роки тому
An improvisation for the last day of the year 2021
"Ehsas Jdeed" / "احساس جدید" (A New Sentiment)
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"Ehsas Jdeed" / "احساس جدید" (A New Sentiment)
"Illusion" / "وهم" from my album "Accordion"
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"Illusion" / "وهم" from my album "Accordion"
"Lachin" / "لاچین" (Azerbaijani folk song) from my album "Accordion"
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"Lachin" / "لاچین" (Azerbaijani folk song) from my album "Accordion"
"Clouds' cry" / "گریه ابرها" from my album "Accordion"
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"Clouds' cry" / "گریه ابرها" from my album "Accordion"
"Oshin" / "おしん", Japanese song
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"Oshin" / "おしん", Japanese song
Armenian Song
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Armenian Song
"لما بدا يتثنى" / "Lamma Bada Yatathanna" (Arabic song)
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"لما بدا يتثنى" / "Lamma Bada Yatathanna" (Arabic song)
"Sana da Kalmaz"/"Sənə də Qalmaz" (Azerbaijani song) سنه ده گالماز
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"Talagh" Farzad Milani feat. Tina Amy
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"Talagh" Farzad Milani feat. Tina Amy
"Saghi" ساقی
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"Saghi" ساقی
Khande-ie Gol (The Flower's Laughter) feat. Ms. Marzieh
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Khande-ie Gol (The Flower's Laughter) feat. Ms. Marzieh
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Farzad Milani feat. Istanbul strings
"Bahar-e Ashegh" (Lovesome Spring) feat. Ms. Farah
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"Bahar-e Ashegh" (Lovesome Spring) feat. Ms. Farah
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"Setareh-ie Sahar" (Dawn Star) feat. Ms. Shams
Right-to-Left Persian Music Notation, by Morteza Mahjubi (Iranian piano player)
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"Baste-ye Dam" (Caught in the trap of love ) feat. Ms. Ruh-Angiz
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"Baste-ye Dam" (Caught in the trap of love ) feat. Ms. Ruh-Angiz

КОМЕНТАРІ

  • @zgerdirm
    @zgerdirm 18 годин тому

    Great job:)

  • @kamelfadlounll9845
    @kamelfadlounll9845 5 днів тому

    Can I know why did you remove the Triton note?

    • @farzadmilani
      @farzadmilani 4 дні тому

      Because it does not hamonically correspond to the first not of the system.

  • @brunomoraes8108
    @brunomoraes8108 10 днів тому

    I didn't find your thesis, is it open to the public?

  • @minimal3734
    @minimal3734 13 днів тому

    Of course, a chromatic keyboard only has 12 keys, not 17, but some electronic instruments allow to define microtonal custom scales. So would it be possible to play this song on a chromatic keyboard? Or would we need two different custom scales that we could switch between for different parts of the song?

    • @farzadmilani
      @farzadmilani 12 днів тому

      Obviously, it'd be possible by retuning some of the notes on piano, but eventually you'll miss some other pitches.

  • @user-ze8xn9ro4t
    @user-ze8xn9ro4t 13 днів тому

    May I ask some questions: How do you feel about microtonal music, what is the exact emotion that you feel and why? Can you enjoy 53EDO, 31EDO, 7EDO or any EDO at the first time?

    • @farzadmilani
      @farzadmilani 13 днів тому

      Actually, when it gets deviated too much from the natural harmonic series, I'm not happy with it! The most ideal EDO through which you can get the natural values is 53-EDO.

  • @LarsRosager
    @LarsRosager 17 днів тому

    thank you, sir!

  • @eefa.7144
    @eefa.7144 17 днів тому

    Ok my friend, pleas next time use an example of the real thing. Only in the last minute of this video I hear something sounding like being played on a keyboard that needs repair.

  • @nunoalexandre6408
    @nunoalexandre6408 18 днів тому

    Love 🎉❤

  • @carolgieschen4056
    @carolgieschen4056 19 днів тому

    Please talk to Jacob Collier!!!!!

  • @LemonadeLiberal
    @LemonadeLiberal 19 днів тому

    We call these "blue notes" in jazz.

  • @humanist63
    @humanist63 19 днів тому

    ❤❤❤

  • @Bei-Abedan
    @Bei-Abedan 19 днів тому

    Thank you for the presentation. I would have said augmented sharps and diminished flats (Bartok and Katchachuran already covered this). I would probably call the scale Augmented Chromatic scale. I also wrote a thesis on the absolute number of chords possible in a chromatic scale. I would like to work with you to take this idea to the next level.

  • @toviashapiro6772
    @toviashapiro6772 20 днів тому

    Thanks for making this video, what tips do you have for westerners who are trying to learn the 17 tone system, especially for trying to compose music using DAW's and for tuning neutral tones given what you mentioned that they do not always fall directly +50 or -50 between the western 12 tones?

  • @angelospateros6806
    @angelospateros6806 20 днів тому

    You can call it polychromatic scale...

  • @everthealtruist
    @everthealtruist 20 днів тому

    Liked and subsrcibed, so very interesting.

  • @testman9541
    @testman9541 20 днів тому

    Sure color are nice. But what are those notes and Hertz they are set to 🤔

    • @farzadmilani
      @farzadmilani 20 днів тому

      Check out this video of mine. I've explained one tuning suggestion for the 17 tones: ua-cam.com/video/OjAEDnm6XD4/v-deo.htmlsi=TdBSwcblKueA2ref

  • @ox.shtefan369
    @ox.shtefan369 21 день тому

    Regards from Colombia!!

  • @mjfk872
    @mjfk872 21 день тому

    Thank you very much. It was informative. Btw why do you have a big headphone on while talking?

    • @farzadmilani
      @farzadmilani 20 днів тому

      Thanks for watching. Actually I don't know. Maybe because I prefer to adjust the level of my intensity by direct monitoring. Also, that's the way I hold my online classes.

  • @gavinleepermusic
    @gavinleepermusic 21 день тому

    Cool video!

  • @EmdrGreg
    @EmdrGreg 21 день тому

    Metachromatic?

  • @gabrielinague3026
    @gabrielinague3026 21 день тому

    Isn't "tritone" = F#?

  • @IVARus
    @IVARus 22 дні тому

    Eival 🙌🏻🇮🇷

  • @thomaskoner1287
    @thomaskoner1287 22 дні тому

    thank you

  • @friendtazo
    @friendtazo 22 дні тому

    I believe it is important to realize that music comes from the culture, and is reflective of the minds of the people. Persian artistry, is also part of the deep spiritual consciousness that breathes through the earth's life. It is for me, when I listen to the mystical forms, is a dive into the atmosphere of nature, sunsets, and heat, walking in sands, the coming so close to death by lack of water, or the power of wind to blow through the body and the blood and make one inside out.

    • @friendtazo
      @friendtazo 22 дні тому

      The expanded tones are because the soul inside is a much larger world...and reflects the inner space of the mind.

    • @farzadmilani
      @farzadmilani 12 днів тому

      Totally true!

  • @angharadhafod
    @angharadhafod 22 дні тому

    The chromatic scale in modern western music is equal temperament. That's a little artificial; I guess that's also a factor here - the notes you show as mapping don't precisely map? And is there a concept of temperament in Persian music?

    • @farzadmilani
      @farzadmilani 22 дні тому

      Yes, that's correct. The intervals between the tones in the Persian system is not equal, while a 53-tone equal temperament gives acceptable approximations of the 17 tones.

  • @friendtazo
    @friendtazo 22 дні тому

    Farsad, thank you! it is beautifully explained.

    • @farzadmilani
      @farzadmilani 22 дні тому

      Thanks for watching

    • @friendtazo
      @friendtazo 22 дні тому

      @@farzadmilani I appreciate your work. : )

    • @friendtazo
      @friendtazo 22 дні тому

      One important question: as you explain the tetrachrds in a very very impressive manor, one thing about those is this, What are the equivalent to Western Keys? How many 'keys' and are they also made on each of the 17 tones?

    • @farzadmilani
      @farzadmilani 22 дні тому

      @@friendtazo Good question! Theoretically, it's possible to modulate to 17 different keys, it the system is considered to be equally designed. But in practice, modulation could happen only to a fifth above or fourth below the tonic. Think if it as a traditional system (we're talking about the era before the 15th century), based on the structure of the traditional string instruments.

    • @friendtazo
      @friendtazo 22 дні тому

      @@farzadmilani Exactly.

  • @reme7903
    @reme7903 22 дні тому

    Why doesn't the 7 tone system count the octave higher c while the 12 tone system does? Souldn't it be called 8 tone instead?

    • @farzadmilani
      @farzadmilani 22 дні тому

      There will be 13 tones if you consider c' ! what do you mean?!

    • @reme7903
      @reme7903 22 дні тому

      @@farzadmilani i have been corrected.

    • @reme7903
      @reme7903 22 дні тому

      @@farzadmilani i play stringed instruments and thus forgot to count fret 0

    • @farzadmilani
      @farzadmilani 22 дні тому

      @@reme7903 Oh I see! No worries. That's why piano is considered to be the instrument of music theory 🎼

    • @reme7903
      @reme7903 22 дні тому

      @@farzadmilani i feel kinda stupid now but these kinds of misunderstandings tend to happen to me pretty often.

  • @world_musician
    @world_musician 22 дні тому

    Yes! I love these deep nerdy music topics :) and wow Maraghi's barbat is HUGE! Do you think the painting exaggerates the size of it?

    • @farzadmilani
      @farzadmilani 22 дні тому

      I don't think it's an exaggeration. He has been an instrument builder as well. He has even a collection of sketchd of weird instruments never manufactured.

  • @HenJack-vl5cb
    @HenJack-vl5cb 22 дні тому

    A fascinating video!

  • @vickyk1861
    @vickyk1861 22 дні тому

    Extra chromatic or Polychromatic❤ interesting video

  • @user-uh9kv3tj2p
    @user-uh9kv3tj2p 23 дні тому

    Once I had that Iranian cultural channel with a lot of music, Iranian music left a bad impression and I love music.

  • @festbloch4135
    @festbloch4135 23 дні тому

    Thanks. But i have a question : in my saz the 1/4 notes are in the 2, the 4, 7, 9 and 12 frets. So it is getting well. But if i use a capo (by example from C to D ) i could not have the same.

    • @farzadmilani
      @farzadmilani 12 днів тому

      Makes sense, since the system is not equally designed!

  • @blast_processing6577
    @blast_processing6577 24 дні тому

    I'd be interested in seeing if you applied something like the circle of fifths or the various types of modulation charts to this if it would produce something a bit more different than expected, on account of the tritone being removed.

    • @farzadmilani
      @farzadmilani 24 дні тому

      Stay tuned with my channel. My next video is in this regard. It'll be released tomorrow.

  • @microtonalguitar
    @microtonalguitar 24 дні тому

    Thank you, great video!

  • @mandyh86
    @mandyh86 25 днів тому

    It just sounds like you’re playing everything on a piano that is completely out of tune. Sorry, but it’s just not pleasant sounding to my western ears.

    • @farzadmilani
      @farzadmilani 25 днів тому

      I know what you mean. It takes time getting out of the confined field of 12-EDO and getting used to the natural intervals.

  • @hannanathan564
    @hannanathan564 25 днів тому

    Man this was great video!

  • @lawrence18uk
    @lawrence18uk 25 днів тому

    Polychromatic (obviously?)

  • @CameronWattMusic
    @CameronWattMusic 25 днів тому

    As a synaesthete, though not a lifelong synaesthete, I found this fascinating. I have absolute pitch, and I started experiencing synaesthesia after experimenting with music in base-16 (with sixteen tones in the octave). My colour associations are not necessarily consistent or even rational (e.g. a spectrum layout such as the one you present in this video). For example, my A is a sky blue, while my A three-quarters sharp (an A sharpened by three eighth tones) is a darker blue, somewhere between sky blue and ultramarine blue. Which as an association is counter-intuitive since we would describe the pitch as a 'brighter' A, but my colour association is darker because my ear says that it sounds kind of like B flat.

    • @farzadmilani
      @farzadmilani 25 днів тому

      That's interesting! Thanks for sharing your observations.

  • @orishaswishes
    @orishaswishes 25 днів тому

    Youve, already got a name for it: Persian 17-tone scale (p.s., interesting stuff!)

  • @dkokalanov
    @dkokalanov 27 днів тому

    What about one with 13? Have you heard of such?

    • @farzadmilani
      @farzadmilani 27 днів тому

      What do you mean? If you're addressing the 13th partial of the natural harmonic series, yea that's the generative ratio for the neutral intervals.

  • @original_pranxter
    @original_pranxter 27 днів тому

    Holographic

  • @Julio1jpg
    @Julio1jpg 27 днів тому

    But where is G flat?

    • @farzadmilani
      @farzadmilani 27 днів тому

      It makes a tritone interval with the key note of the system (C). They harmonically do not fit, and that's why it's taken out.

  • @user-cc2qe1cc9l
    @user-cc2qe1cc9l 27 днів тому

    I live in the Blue Mountains Sydney. There was a man who lived near me who wrote a lot about 31 tone systems. Bill Coates 1917 to 1997. "He gradually came to realise the impoverishing effects that confining ourselves to 12 equal notes to the octave has had on Western music. And, while appreciating the various ways in which shades of notes are treated in non-European musics, he decided to work towards extending our Western equal temperament from 12 to 31 notes in each octave. When he had come to understand that, mathematically speaking, 31 is the best of equal temperaments, he undertook composition in it. He made frequent visits to Holland, where support for 31 is strong; he often played on the 31-note, 2-manual organ at Haarlem (with 31-note pedals!); and commissioned and possessed an Archiphone - the electronic organ permanently tuned to 31 equal notes in each octave."

    • @farzadmilani
      @farzadmilani 27 днів тому

      That's nice. But I'd say it doesn't work for the Persian music because of deviated approximations that it gives for P4th and P5th intervals.

  • @SomethingWellesian
    @SomethingWellesian 27 днів тому

    Western composers: “Augmented seconds. Got it.”

  • @meteor09
    @meteor09 28 днів тому

    These lesson are wonderful! I hope to play Persian and Iraqi style oud one day. Would it be possible to have more song broken down like you did here with dastgah-e mahor, where you show the specific tetrachords being played and when they switched. Your analysis is very helpful! Moteshakeram!

    • @farzadmilani
      @farzadmilani 28 днів тому

      Thanks for your comment! Sure, I'll make more analysis videos like this one.

  • @steeltheshow8484
    @steeltheshow8484 28 днів тому

    i'd call the 17 note system: hyperchromatic.

  • @naoeh8172
    @naoeh8172 28 днів тому

    Great video, thanks. I am wondering what king of tunings of the quarter tones are used depending on the mode played. If anyone can point me to some information would be appreciated.

    • @farzadmilani
      @farzadmilani 28 днів тому

      Thanks for your comment. In theory it's combination of Pythagorean 3:2 tuning paralleled with an either 13-limit or 11-limit ratios for the neutral intervals. But in practice, the size of the intervals fluctuate according to different modes, or different geographical regoins, or even different schoolds, but in general they're more close to the ratios from the natural harmonic series.

  • @kmtrammel
    @kmtrammel 28 днів тому

    Hyperchromatic?

  • @Yamikaiba123
    @Yamikaiba123 29 днів тому

    Huh, you're at McGill too?

    • @farzadmilani
      @farzadmilani 29 днів тому

      Yes I am. You too?!

    • @Yamikaiba123
      @Yamikaiba123 28 днів тому

      @@farzadmilani Yes, I am writing my Master's thesis on a census of published biblical Hebrew melodies. I'm reconstructing their history of transmission and evolution going back 2000+ years. I recently moved out of the Redpath Museum and am now in the Stewart Biology west wing. I've co-supervised a student with Julie Cumming, though, at the School of Music. Different scale systems are interesting to me personally, because I'm curious about the realm of the possible in reciting ancient texts. (I've incorporated reconstructed pronunciation schemes and recitation rules, for example, and found measure and metre by experiment. But intonation remains a matter of my own native+acquired idiom, unless I'm lifting tones from my sources or from our low-res reconstructions which are still a work in progress.)

    • @farzadmilani
      @farzadmilani 28 днів тому

      @@Yamikaiba123 That's a great topic for a thesis! Way to go!

  • @johanwk
    @johanwk 29 днів тому

    I would love to try this out on my synthesizer, i.e., to put this into a quantizer. Is there a good web resource that will list tetrachord pairs using quarter-tones according to the described systems?